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J. Conrad's blog
Monday, 25 January 2010
Amy DeTrempe Interview
Topic: Backstop

Below appears an interview I did with Amy DeTrempe in which I was able to talk about Backstop and writing in general:

 

 

AMY: Thank you for joining me. What else would you like to share with us regarding your book?

JCG: Hi, Amy. You’re welcome and thank you for sharing your corner of the Internet with me. Backstop is the autobiography I wish I could’ve written, sans the infidelity aspect. My childhood dream was to play baseball, but like Backstop’s parents, mine would have none of that. So I started with my own childhoodyes, my dad was a Marine Corps DI and several recollections of Backstop’s youth are from my ownbut where I let my dream die, Backstop pursues and achieves his.

AMY: Were there any surprises that came about while you were writing Backstop, or did you stick with the plan you had set?

JCG: My original intent with Backstop was to depict the power of lies. Originally, I envisioned a jealous teammate of Backstop’s concocting a lie about an affair that never took place, thereby jeopardizing Backstop’s marriage. But I’ve always been fascinated by what, in today’s modern era of fiction, is known as the “antihero.” He’s not always heroic, not even particularly likeable at times, but he always does the right thing (even if he does so kicking and screaming). In the end he redeems himself.

In life, heroes fail. Some, like Tiger Woods, fail abysmally; after all, they’re human. I think our society in general is too quick to affix that hero status upon athletes and actors and actresses. Sadly, too few are deserving, while the real heroes—the father who takes a third job to put food on the table for his children, or the single mother who overcomes breast cancer to raise her family—we rarely read or hear about in the news. But that’s a whole other topic. The key to writing an antihero, of course, is to make the reader care enough about this often unsympathetic character to keep turning pages. I wouldn’t put Backstop into the category of an antihero. Unlike the antihero for whom we root to succeed, we root for Backstop to not fail; yet once he succumbs to temptation, we root for his redemption. At least, that is what I hope from the reader.

So, maybe a third of the way into Backstop, I chose to veer from the pure-hearted protagonist who would become a victim of a vicious untruth, and have him, in a moment of weakness, betray his wife of 12 years. The story ultimately becomes one of redemption and forgiveness—yes, in order to truly forgive, one must forget.

I think the reader is in for a few surprises along the way, too, but I’ll leave those for him or her to encounter on their own.

AMY: What inspired you to write this book or these particular characters?

JCG: Having realized I was never going to play major league baseball, I suppose it was inevitable that I would one day write a novel with a baseball theme. Backstop is a sort of alternate reality for me. In the title character I see the person I once wished to become, had I the courage to reach out to make my dream come true. My parents meant well, wishing to spare me the disappointment that comes with falling short of achieving a dream, but their lesson—that I should avoid risk—has also had a negative impact on my life, on some of the choices I’ve made along the way.

What also inspired me was my relationship with my father. We were never close, until the last year of Dad’s life, while he waited for cancer to claim his life. He’s been gone now nearly 12 years and I still find myself seeking his approval. Like me, Backstop puts questions to a man who, in death, is as adamant about withholding answers as he was in life. My father appears in a lot of my work, but always post mortem. My work in progress, however, is in part about a son’s efforts to connect with his father before he succumbs to cancer, proving the old adage that writers write from experience.

AMY: Tell the readers about your writing journey and how you ended up with your publisher.

JCG: My fiction tends to be literary. Elmore Leonard claims to leave out of his text all those long narratives he envisions his readers skipping over. But I love rich narrative. Backstop’s storyline is a simple one: a man’s efforts to make his dream come true while trying to connect with a deceased father, finding girl, losing girl, winning girl back. Yet the structure I employed—a baseball love story in nine innings—is anything but formula. Telling a man’s life story in flashback during game seven of the World Series, and bouncing from present to past and back again is complex (and I had one or two detractors along the way tell me it wouldn’t work), I think is rewarding for the reader.

Backstop wasn’t an easy sell. Despite a number of encouraging rejection letters, most publishers/agents were reticent about taking me on. I was told there is no market for baseball novels—try searching on Amazon using “baseball” as your keyword. Some of the most popular sports genre movies are about baseball: Field of Dreams, The Natural, For Love of the Game and The Rookie all started out in print. Who can forget Bull Durham?

I was convinced I had a winner in Backstop and I wasn’t going to self-publish. I tried that route when my publisher for the first edition of January’s Paradigm went bankrupt and I found I didn’t have the financial resources to make it a success.

Last April, Second Wind Publishing invited me to send my entire manuscript and by September we inked the deal. I cringed, initially, when I learned Backstop would appear as part of their Beckoning Books Romance imprint. I certainly don’t consider myself a romance novelist, yet many of my favorite novels have romance themes. There is a large market for romance novels, so I hope Backstop finds an audience. There is also enough baseball in Backstop to appeal to baseball purists as well.

Working with Second Wind has been a great experience. No heavy-handed ultimatums about changing this character or that one, revising this scene, deleting that one. They’ve offered suggestions (some I’ve taken, others I’ve rejected). They were patient as I continued to revise and polish, always encouraging me. I found it ironic that, just before Christmas, another publisher to whom I’d submitted Backstop last February finally sent me an email turning me down. Yes, I thumb my nose at publishers who advise against simultaneous submissions. No writer can afford to wait 10 months for a rejection letter.

AMY: If there is one piece of advice you could give an unagented/unpublished author, what would it be?

JCG: Assuming you have talent, further assuming you’ve gone through several rewrites, have revised and polished, have had more than one trusted reader give you their reaction and suggestions for improvement and have revised and polished some more, my advice is the same advice I’ve heard from almost every successful writer, and that is to employ another essential tool from the writer’s toolbox—perseverance.

If I recall correctly, Rowling endured nearly 100 rejections before Harry Potter was picked up. Publishing is incredibly competitive, perhaps never more than in today’s economic environment. There is no easy road into print, save for self-publishing. Expect twists and turns, to be turned down. But learn from your rejection letters—a handwritten comment that you have talent is gold because it tells you that you’re on the right track. If you have talent, it you have a good manuscript, you will likely find a home for it, but only if you employ perseverance.

AMY: Besides Backstop, which we highlighted here, have you published other books or are there some that are yet to be released?

JCG: January’s Paradigm is available on Amazon. I’ve written a companion novel, January’s Penitence, which I plan to submit to Second Wind in a few weeks, as they embark upon including a science fiction/fantasy imprint. I have a novella I’m currently shopping and another novel in progress. Information on and excerpts from all of these can be found on my website.

AMY: How can we find you on the Internet (FaceBook, Twitter, MySpace, blog, website addresses)?

JCG: In addition to my website, I have a FaceBook page; I appear on Goodreads, LinkedIn, and I Twitter. My fiction appears on a number of Websites—just Google me.

AMY: Is there anything you would like to ask the readers?

JCG: You know, there is. Writers write, in part, to connect with an audience. Sadly, all too often our only connection comes at the end of the month, when we receive our royalty statement. That said, I’d like to ask your readers to connect with me, and all their favorite writers. Please, stop my Website, sign my guestbook (I promise not to spam you in return for your generosity), check out my blog; leave a comment or two on those entries that move you. Let me know what you think. Writing is a solitary endeavor, but after a piece is finished, a writer wants to know that they’ve connected with you!


Posted by J. Conrad Guest at 1:30 PM EST
Updated: Monday, 25 January 2010 1:36 PM EST
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Monday, 18 January 2010
Cobb's Conscience
Topic: Novel excerpt

 

Thirty-Six

 

“It defies human capability for anyone to average almost .400 in the past five seasons. Is he bribing the pitchers? He’s simply from a higher league than any we know.”

 

—Ring Lardner

 

 

Cagney stood staring in the bathroom mirror, waiting for the water to run hot. Cale lay in the other room, comatose now for nearly 36 hours, unlikely to ever again regain consciousness. Cagney hardly recognized the image that stared back at him from the other side of the looking glass. April had told him not long ago that he’d grown more handsome with age, the etchings of lines at the corners of eyes and mouth, the graying of hair; but all Cagney saw was the stress of waiting for his father’s death mingled with the ugliness of his sin—guilt and something else. It was that something else, which he couldn’t quite define but understood, from which he shied.

Freyja had required little more from him during their affair than his presence in her bed. He didn’t want to believe Charlie’s charge that Freyja had all along faked her pleasure with him. Their trysts had been nothing more than physical, so Cagney believed, or wanted to believe, that she found his love-making pleasurable, desirable, even if she had faked it 60 percent of the time, as Charlie claimed most women did. He couldn’t believe that any woman would continue an affair with a lousy lover just to control him, a show of her power, to get back at an abusive father, a hatred of men, whatever her reasons.

Even though Freyja hadn’t called since the affair ended, there were times when Cagney found he still desired her body. Particularly troubling for him was that his desire for Freyja seemed to grow in direct proportion with his bonding with April. April offered everything he ever desired in a relationship but never found with Charlie—the friendship, companionship, comfort and intimacy he’d always thought a marriage should be. All the things he suspected neither of his parents ever enjoyed once the novelty of sex wore off. Cagney couldn’t recall ever seeing his father romance his mother; and his mother—well, apparently she never learned the art of manipulation that many women of her generation had employed in order to get what they desired by making their husbands think it had been his idea all along. All the things he never got from Freyja; but like Ron, it was a bargain he was happy to accept because there was safety in it. No commitment.

Cagney sighed and filled the bowl with hot water, then held his father’s badger hair shaving brush under the hot water before lathering up the soap, in its mug.

It was Saturday morning and the nurse’s aide assigned to Cale was tending another patient whose pending death required more immediate care. She suggested to Cagney that he shave Cale. Cagney consented; it was the least, if not the last thing, he could do for his father.

Cagney set the mug, with the brush inside it, alongside the bowl of water on the table that straddled Cale’s midsection; he set a towel on his father’s shoulder. Although his color was ashen, he looked to Cagney as if he were in deep slumber, the rise and fall of his chest slow and steady.

Cagney took up the mug, sat on the edge of the bed, and stirred the brush again to lather the soap; then he set about applying the soap to his father’s face. He expected the touch of the brush against his face would stir Cale from his sleep. When it didn’t, wanting to believe that some part of Cale was cognizant of the shrinking world he still inhabited, Cagney said, “It’s okay, Dad. It’s me. Your aide is busy, so you’re stuck with me to shave you today.”

Cagney reached for the double-edge razor in the bowl of water and proceeded to scrape the soap from Cale’s neck; he heard the soft scratch of blade against stubble.

“Thanks,” Cagney said, “for sticking up for me last week, when Charlie came to visit. I know you don’t approve of what I did to her, but …” Cagney didn’t know how to finish his sentiment, so he changed direction: “Freyja—the other woman—she was Swedish. You know my type has always been Mediterranean—dark, swarthy. Freyja’s name is from Old Norse, meaning lady, which she most definitely was not. It also means mistress.” Cagney allowed himself a chuckle. “Ironic, that, eh? Anyway, Freyja was blond and fair, but she had a great pair of gams.” Cagney paused a moment to dab dry a trickle of water from Cale’s neck.

“Do you recall the discussion we had years ago while we watched The Millionairess on Turner Classics? I told you I thought Sophia Loren was beautiful and that her legs were to die for.” Cagney chuckled at the memory and added, “When Charlie found out Freyja was Swedish, she set about hating all Swedes. I could understand the wrath she directed my way, with enough left over to rain down on Freyja, but an entire nation? Nicholas Lidstrom, Johan Franzen, Henrik Zetterberg, Tomas Holmstrom, all of them became detestable to her and so she stopped watching hockey.”

Cagney dipped the razor into the water, gave it a swirl, and set about shaving a cheek.

“Why she didn’t set about hating all women is beyond me. But Swedes suddenly became the lowlifes of the earth. It was shortly thereafter that she had me move out.” Cagney listened to the clink of the razor in the bowl and felt his eyes tear up. “I guess her respect for me, having consorted with such a lowlife, finally ran out.” A moment later he set about scraping clean of soap Cale’s other cheek.

“You were right, Dad, about Charlie forgiving me. Before I moved out, she used to delight in setting me up for failure. She once asked me if I thought Gwyneth Paltrow was beautiful. Like I’m going to disagree with millions of people around the world. Like casting directors cast her because she’s repulsive to look at. Southern California girl. I figured she was far enough away from Sweden to be safe. But no. Maybe it was because she was a blonde.” Cagney ran the razor along Cale’s chin. “Charlie used to knock me for being judgmental of women’s looks, but you know what? I’ve never known a woman who thought ugly some of the most beautiful women in the world.” Cagney sighed. “Saying you forgive someone means nothing unless you show them you have, and Dad? She says she’s no longer angry, but the things she says tell me otherwise. Maybe she doesn’t want to let go of her anger.”

Cagney sat staring at Cale, wondering if any of his words registered on what might’ve been left of his rotting brain. “I wish you’d been more nurturing to me, Dad. But I guess you gave what you could. Maybe you just didn’t know how any more than I know how. I just wish … I just wish I knew you better. Maybe then I’d better understand who I am, why I behave the way I do.”

Cagney dropped the razor into the bowl and proceeded to wipe the remnants of soap from Cale’s face. “There, finished, and without so much as a nick.” Cagney gathered his father’s shave accoutrements, stood and turned to head for the bathroom to find April leaning against the doorway to the room.

“Hi,” she whispered.

“You don’t have to worry about waking him,” Cagney said with a grin. And then, “How long have you been standing there?”

“Not long.”

Cagney recalled the day his father made the same claim, during a conversation he was having with April. From the discussion that ensued, Cagney knew his father had been awake far longer than he confessed, and so he only wondered how much of his soliloquy she’d overheard.

“Come on in and sit down,” Cagney said, and left for the bathroom.

When he returned he found April standing in front of one of the room’s chairs, her arms outstretched. He stepped to her and felt her arms go around him as he wrapped his own around her. A moment later he kissed her, conscious of his father’s presence, and they sat.

“I suspect you heard more than you let on.”

“I did,” April said, somewhat uncomfortably.

“Then why did you lie?”

“I didn’t lie, Cagney. I just … I don’t know. I didn’t want you to feel I’d intruded on a private moment.”

“I’m sorry,” Cagney said. “I didn’t mean to accuse you.”

“I understand.”

“Do you?” Cagney cringed at the accusatory tone of his question.

“I understand you have trust issues.”

“I don’t want you to make allowances for me.”

“I’m not making allowances, Cagney.”

“Oh, but aren’t you?”

“No, I’m not. I know some of what Charlie’s told you, which has left you questioning anything I say. Is it right that you distrust me? No. I’ve always trusted until someone proves untrustworthy. But I understand the why behind your distrust. In time, I hope you’ll be able to let that go.”

Cagney sighed. “I appreciate your patience.”

“It’s nice to know my Italian heritage fits with your type.”

“As do your legs,” Cagney said with a glance at April’s crossed legs. He felt his pupils dilate as they welcomed the image.

“Physical attraction has never been a problem for us,” April said, glancing at Cale, perhaps fearing she might find his eyes open. Cagney felt shame wash over him, that he’d spoken of his desire in the presence of his dying father, wondering whether their conversation might register in his cancer-riddled brain, no doubt frustrated by his inability to participate.

“Physical attraction got me into a loveless marriage and was also the basis for an affair that was equally lacking.”

“Which might be a fear of intimacy, the result of a father who wasn’t very nurturing as well as the role models you had as a boy. But that doesn’t mean you can’t learn. I think you’re more nurturing than you think. You’ve always been nurturing to me, even before you encouraged me to leave Ron.”

“I hope that was the right thing.”

“I know you fear I left him for you, but you gave me the courage to do something I should’ve done long ago.”

“Maybe, but I wonder if my motives were so pure.”

“If they weren’t, don’t you think we’d have consummated a physical relationship by now? That I have hope for a future with you brings me comfort, but believe me when I say you were not the reason I left Ron.”

Cagney said nothing; April continued: “I know you don’t want to hurt me any more than I want to hurt you. Nor do I want to be hurt. But there are no guarantees in life. At some point we have to risk—whether the risk is to change jobs, to self-publish to further a literary career, or to love.”

“My father’s life is filled with regrets, even if he hasn’t told me any of them.”

“And I understand your regret over the affair, and also your angst over future regret, but you can’t go through life avoiding risk because that will lead to much greater regret later. Who wants to end up in a hospice bed wondering what if, or I wish I had done this or that when I had the chance?”

“I know that, logically, in my head. But I’m stuck in this place, and I can’t keep from looking back over my shoulder, at the past.”

“And you can’t go forward without an occasional glance at the past. But the danger is in staring. That’s something I did far too long with Ron. I read in an article about a 91-year-old woman that she didn’t want to think about yesterday. She wanted to think about today, and what she was going to do tomorrow. She defined the moment when a man or a woman begins to grow old—when they find their thoughts turning more to the past than to the future.”

“Is it any wonder I’m feeling old?” Cagney said, grinning.

“And who wants to feel old?”

“But I am old.”

“You’re not old, Cagney, not at 52. Fifty-two is just a number.”

“Yeah, and I have more numbers behind me than I do ahead of me.”

“Even if that’s true, it’s defeatist thinking. You need to start living for today, as if it’s the first day of your life, and for tomorrow. Otherwise you’ll end up on your deathbed regretting that you left most of your life unlived.”

“If I’d asked you, six months ago, to have an affair, would you have agreed?”

“No, but not because I doubted my feelings for you. I understand, from what I’ve read and from my marriage, that men are capable of sex without love. I don’t pretend to understand why that is, but I know I would not have gotten from you what I want, even if you’d given me what I need.”

“Is there a difference, between want and need?”

“A world of difference, Cagney. A need can be easily satisfied, if only temporarily, which is perhaps why men more easily act on their need. Whereas a want is more difficult to obtain.”

Cagney thought about what he wanted, hoped to have, with April, why he feared he might not ever be able to have it. In marrying Charlie, he’d given in to need, as he had when he’d responded to Freyja’s initial flirtation. But neither of them had been able to provide for his wants.

“I’m not even sure what it is that I want.”

“I think you do, Cagney. You’re very introspective. You’ve told me what it was that was lacking in your marriage and the affair. I think what you’re unsure of is that having what you want might not bring you happiness.”

April followed Cagney’s gaze, to where his father lay.

“That was a wonderful thing you did, even nurturing, shaving him,” April said. “I’m sure at some level he was aware of it, was appreciative. Even if he couldn’t let you know.”

“Thank you. I needed to hear that.”

“What was so funny about you telling him that Sophia Loren’s legs were to die for?”

Cagney laughed. “He told me he couldn’t understand the allure legs held for some men, that you only end up pushing them out of the way.”

April laughed and Cagney found himself taken by the sound as well as by the brightness of her smile. He never would’ve guessed at the hurt Ron had inflicted on her heart.

When her laughter ebbed, he asked, “You believe in the theory about paying it forward?”

“I do. It’s easy to maintain the status quo, to take what was given you and pass it along to the next person. It takes great courage to break the chain, to unlearn those old debilitating lessons, to go forward with a renewed sense of employing something newly learned. It may be difficult, but it’s ever so much more rewarding. It’s contagious, self-perpetuating, and I think it can bring happiness, too.”

Cagney only looked at April, to acknowledge to himself her beauty as well as her wisdom, which, to his surprise, only made her all the more desirable.


Posted by J. Conrad Guest at 10:35 PM EST
Updated: Saturday, 23 January 2010 12:37 PM EST
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Sunday, 3 January 2010
Backstop Now Available For Purchase!
Topic: News

Backstop: A Baseball Love Story is now available from Second Wind Publishing. A Kindle version is currently available from Amazon, with book to follow.

Rachael Perry, author of How to Fly and also a Michigan writer, says of Backsop: “Baseball, like love, is a game of errors and regrets. Pop-outs, ground-outs, strike-outs. A bad swing, a bad throw, a bad hop. But what captivates us most is the possibility of the next at-bat, of the chance for a rally, of an unlikely clutch play that suddenly changes the stakes. This is where J. Conrad Guest meets us in Backstop: in this beautiful, hopeful place closest to our hearts, where we play for the love of the game, and we love with everything we have.”

For this, my second published novel, I combined his love and knowledge of baseball with romance and the heartbreak of betrayal. Not your typical romance novel, Backstop can perhaps best be described as a literary Bull Durham, sure to appeal to purists of the game as well as those who enjoy a good love story. Backstop is a great winter read as we await spring and the arrival of a new baseball season, when hope springs eternal.


Posted by J. Conrad Guest at 7:41 AM EST
Updated: Sunday, 3 January 2010 8:20 AM EST
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Saturday, 2 January 2010
Happiness Is Just A Word
Topic: Memoir

 

I’ve always been a glass seven-eighths empty personality. While my mother battled Parkinson’s disease for 18 years, I watched as, in her bouts with depression, she spent a small fortune on clothes, jewelry, books and knick knacks for the house. While these purchases brought her temporary pleasure, they failed to make her happy. Often she returned many of her purchases a week or so later for others. In retrospect, I suspect her habit was symptomatic of her illness.

If it’s true that we often choose our unhappiness, then it can also be said that we can choose to be happy. It’s also true that old habits die hard.

I have much for which to be thankful. I still have good health, a job that pays fairly well in an economic climate the likes of which this country hasn’t seen since the Great Depression, and my second novel just launched. And yet I worry about its success. Will this child of mine, born of my imagination and hopes and dreams, be readily accepted by the readers with whom I hope to connect—yes, writers write, in large part, to connect with others.

I find it difficult to choose happiness in this step of publication. Perhaps I fear even more its potential success than I do should the number of sales fall short of my hopes and expectations because, like my mother, I find pleasure in the purchase of a good bottle of scotch or a box of cigars. But I know, from my own experience as well as from hers, that such purchases don’t make me happy.

Happiness, without peace of mind, is just a word, and peace of mind is something that eludes me, as it did my mother. Yet just as I understand that happiness is not a destination, it is a choice, one that I fear for a number of reasons. Am I deserving of happiness? Once achieved, will it disappoint me? Sometimes we hold onto our anger, our losses, our regrets, our pain and heartache as badges of honor, and doesn’t achieving happiness mean we have to let go of these?

It’s not happiness I seek as I progress through my sixth decade, but instead peace of mind. I’m convinced that without peace of mind, happiness is just a word, one whose definition I understand, but whose meaning doesn’t apply in my life.


Posted by J. Conrad Guest at 9:52 PM EST
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Wednesday, 23 December 2009
An Out of Tune Christmas
Topic: Memoir

“Oh boy. This piano’s out of tune. I love out of tune pianos.” —Rowlf

 

 

This time of year, I always feel a little like Rowlf, one of Jim Henson’s Muppet creations. Actually, I feel a lot like Rowlf this year more than most, because the meaning of Christmas is lost to me.

Both my parents have been deceased for more than a decade, and I have no children of my own. For the first couple years after their passing, I struggled with Mother’s Day and Father’s Day. TV commercials push remembering Mom and Dad, and my email inbox fills each spring with spam for products to buy for them. I felt then that I was the only person whose parents were deceased. But I got used to it. These many years later, I acknowledge my parents’ existence in my own way.

My girlfriend and I broke up a couple years ago, and we recently found that trying to maintain a friendship wasn’t working either, and so this year, for the first time in many years, I find myself alone for the holidays.

My second novel, Backstop: A Baseball Love Story in Nine Innings, will launch after the first of the year, and I’m happy, thrilled, by all that publication portends. But I have moments of melancholia, too.

In 1998, when the first edition of my first novel, January’s Paradigm, was published, I had no significant other either. Mom had passed away and Dad had but a few months to live before colon cancer claimed him. Cancer plays no favorites, waits on no one. Dad knew of my publication, but sadly, when my author copies arrived, he was gone. I poured a glass of scotch—Glenfiddich 21-year-old—lit a cigar (an Ashton if memory serves me), and opened the box. As celebrations go, it was subdued; but as sharing my publishing success with my parents went, it was the best I could do.

I have much for which to be thankful, but I have regrets, too (does anyone get out of life without a few of those?); and I’m sure I’ve disappointed my parents, maybe more than most children. Those days on which I succeed, I wonder if my parents, wherever they are, are proud of me. On those days I fall short, disappoint myself, I hope they care nothing at all about what happens on my plane of existence.

On Christmas morning I’ll arise early, as is my custom, have breakfast, put on coffee, light a cigar and put down a thousand or so words toward completing my next novel. After lunch, I’ll pour myself a glass of scotch (Aberlour a’bunadh), put on a Monk CD (I love Monk for all his dissonance and split notes), pull out some Christmas cards from my parents, and look ahead to a new year, as out of tune as many of its predecessors, and try to make the best of it—productive and, hopefully, prosperous.

Merry Christmas to one and all: may you find it to be all you wish.

—J. Conrad Guest/December 2009


Posted by J. Conrad Guest at 7:14 AM EST
Updated: Tuesday, 2 February 2010 8:57 AM EST
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Saturday, 14 November 2009
Birth of a Novel
Topic: Backstop

I’ve always loved the game of baseball. What’s not to love? A simple gamehit a round ball squarely with a round batwith simple rules: reach base, move the runner along, and score more runs than your opponent.

My dad took me to my first ballgame, a Tigers/Angels night game at old Tiger Stadium, a game which the home team won. I was but seven years old. The Corktown district in Detroit, in the early 1960s, had not yet fully deteriorated, and the 1968 race riots were still a few years away. Al Kaline was my childhood idol, and I dreamed of playing major league baseball, of roaming the outfield the way Kaline did, of hitting for average, for power, and of winning a World Series.

Unfortunately, my parents had other ideas. I’m sure they meant well, to protect me from disappointment, by steering me toward a more attainable career. Pete Rose was still more than a decade away from signing a three million dollar deal with the Phillies.

I started writing my first novel, January’s Paradigm, when I was 35. A science fiction affair with an alternate reality theme written around a Chandleresque character who was a private detective circa 1945, two more novels would follow to complete a trilogy. The project took nearly 15 years to complete, during which I lost both my parents. Funny, what losing one’s parents does: drive home the reality of one’s mortality. When my father passed away, I realized what I’d already known for quite some timeI was never going to play major league baseball.

After I finished the January books, I started looking for my next project. I was 51, in the first year of my sixth decade, and it seemed only natural that I write a novel with a baseball theme. In Backstop, I started with the boy I once was, with a dream of playing professional baseball. His parents, too, had other ideas. But where I succumbed, this lad ignores his parents’ wishes, to make his dream come true. Sadly, Backstop’s father dies before Backstop is drafted by the Detroit Tigers. A major theme is Backstop’s drive to prove himself to his deceased father.

What’s a good story without romance? In his rookie season, Backstop learns that lovin’ can be readily found around the ballpark, but true love eludes him for a timeuntil a chance meeting with the owner of a small business in Chicago. What follows is a season-long courtship followed by an offseason marriage.

Twelve years elapse, and when the Tigers make the playoffs for the first time during Backstop’s tenure, he goes out to celebrate with team mates, and he falls prey to a younger woman.

Perhaps my most accessible novel to date, Backstop: A Baseball Love Story In Nine Innings is composed of multiple themesthe importance of dreams (and our pursuit of making them come true), of loss and love, and of redemption in the aftermath of infidelity.


Posted by J. Conrad Guest at 7:05 AM EST
Updated: Sunday, 15 November 2009 8:22 AM EST
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Sunday, 8 November 2009
Cobb's Conscience
Topic: Novel excerpt

Another excerpt from my novel in progress …

 

 

 

Thirty

 

 

Down with this Cobb!

 

Sporting News, September 1909

 

 

As was his custom, Cagney let himself into his father’s house with the spare key he’d kept since his teen years. Cale, who was sitting on the sofa, glanced at Cagney, startled, then looked at the high-backed chair across from him.

“What ...?” he said.

“What is it, Dad?”

“I was just talking to you. You were there, in that chair.”

Cagney sighed. Cale’s doctor had told them this day would likely come. Now that he was off treatment, the cancer was left unchecked, to run rampant. Cale had hallucinated a conversation with Cagney. Had the cancer metastasized to Cale’s brain?

“Well, you’re here now,” Cale said, an effort to downplay the episode. Then, pushing himself into a standing position, he added, “I’m hungry, let’s go eat. I’ll get your mother.”

“Dad,” Cagney said. “Mom’s not here, remember?”

“Oh,” Cale said heavily, punctuating his statement by dropping heavily onto the sofa; the sofa groaned in protest of its burden. Cale looked up at Cagney, a moment of distrust seemed to gleam in his eyes, and Cagney wondered if the basis for his distrust might be Cagney’s mere presencethat his father feared he might be hallucinatingor that he was loath to believe what his son had told him about Iris being deceased. The moment passed and Cale looked at the floor, between his feet.

“It’s okay, Dad. I’m here,” Cagney said to reassure him.

“I’m fucked up, Cagney. Been seeing a lot of things that just aren’t there.” Cale looked up. “Isn’t that what the doctor said I could expect, at the end?”

“Yeah, Dad. That’s what he said.”

Cale let out a long sigh. “Ah, Christ,” he said.

 

Cagney waited, throughout the drive to The Broken Egg, for his father to bring it up; Cale remained mute.

A waitress came with two glasses of water and asked for their order. Her nametag said her name was Karen. Cagney asked about Sheila, whom he hadn’t seen the last few times he’d brought his father to this dinner. To his knowledge, she still hadn’t read Vito.

“She got a job at La Dolce Vita. More money, better tips.”

Cagney pictured Sheila in the short skirt and tight, low cut blouse she would be required to wear and wondered if the tips were worth it to herbeing ogled by the likes of Ron. Charlie insisted that no woman relished being leered at. Apparently, for a few extra dollars, some women would consent. Cagney recalled a piece of dialogue from Vito in which the title character had hit on a woman in a drinking establishment known to be a pickup joint. Mandy, a loose woman who dressed loosely (figuratively speaking), told Vito that if he expected her to invite him back to her place for the price of a couple martinis he was sadly mistaken. Vito had replied, “Now that we’ve determined what you are, we’re left to dicker over price?”

Karen left with their lunch ordera club sandwich for Cagney and a burger for Cale, cooked rare. Cagney refrained from advising his father against eating undercooked beef.

“Dad,” he said, “Don’t you think it’s time we made a decision?”

“About what?”

Cale refused to meet Cagney’s eyes, and Cagney was certain his father knew all too well to what he was referring.

“The decision is yours of course, but we agreed that when this day came, you would consent to moving to hospice.”

Cale met Cagney’s gaze and it took a moment for Cagney to recognize what he saw. He couldn’t recall ever having seen fear in his father’s eyes. Cale blinked away the fear, replaced it with defiance.

“Can’t wait to bury your old man, eh?”

“You know that isn’t so, Dad. We agreed you’d receive better care at hospice. Mother did.”

Cale seemed to relive those last days, as Iris waited for the inevitable, and Cagney watched the fear assail itself once more in Cale’s blue eyes. Again Cale blinked it away, and Cagney saw evidence of what Murphy had described as the bravest marine with whom he’d ever served.

“It is what it is,” Cale muttered to himself.

“Dad?”

“I can’t trust myself to make decisions. If you think it’s time, then it’s time.”

 

They returned to the house in time to catch Once Upon a Time in The West on Turner Classics. As westerns went, it was one of Cale’s favorites. Before the opening scene, in which Henry Fonda, playing the darkest character of his illustrious film career, wipes out the frontier family, Cale had nodded off.

A short time later, Cagney gave in to Nature’s call. In the bathroom, he found his father had left a mess on the floor when emptying the contents of his colostomy bag. Sighing to himself, Cagney relieved himself and left to find a bucket, a mop and a sponge in the basement.

When he returned to Once Upon a Time in the West, he found Cale awake.

“Thanks,” was all Cale said, and Cagney tried to recall a time when he’d heard that word from his father.

The next day Cagney arranged for his father to move to Angela Hospice.

 

Angela Hospice became the first freestanding inpatient hospice center of its kind in Michigan in 1994, and received the Governor’s Quality Care Award in 2000. Composed of 16 rooms, the facility is staffed by 16 nurses and eight nurse aides, all with special certification in hospice and palliative care. Each room is private, and daytime staffing is at a ratio of one nurse and one aide per four patients. An on-site chef prepares meals according to dietary needs or patient preference. As many as 500 volunteers provide a variety of services, including companionship, assistance with meals, respite care, and spiritual support. They also provide, at no cost, bereavement support to family.

Cagney’s mother had made it known, after her first stroke, that she did not wish to be tortured into being kept alive. Shortly after her last stroke, she’d slipped into a coma. Rather than keep her on life support indefinitely, Cale and Cagney agreed to move her from hospital to hospice, where she would receive much better care, her level of discomfort, even while in coma, would be monitored, and she would be given morphine whenever she needed it rather than on a strict two-hour regimen. As assisted suicide went, it was the best Cagney could do for his mother.

Cagney was fortunate to find, for Cale, several available beds at Angela Hospice.

They packed one small suitcase, mostly underwear, a robe, slippers and Cale’s shave kit—a badger hair brush, bowl and soap, double-edged razor and stand, all in brushed pewter. A much more elegant manner by which to shave, Cagney always thought, in a much simpler bygone era. On a whim, Cagney also thought to bring the Christmas gift he’d bought for Cale last year: a scaled replica of the Hopkins Special that Bill Vukovich drove in the 1955 Indianapolis 500. “Vukie” had won the previous two 500s and was a threat to become the first driver ever to three-peat.

Vukovich was leading just past the quarter mark of the 1955 event when he couldn’t avoid the three-car wreck of Al Keller, Johnny Boyd, and Rodger Ward. His car went airborne and over the wall on the backstretch, landing upside down and in flames. Cale was at the race that day, sitting in the bleachers on the backstretch. He once recalled for Cagney watching the pin-wheeling car, before it went over the wall, with Vukovich strapped in, likely already dead, his arms flailing like those of a ragdoll, his white T-shirt stained crimson red.

Cagney had struggled with buying a Christmas gift for someone who likely wouldn’t live to see another Yule. When he saw the replica on an online store that sold sports memorabilia, he threw all caution to the wind and opted for the frivolous rather than something practical. The replica, one of only 50, came with a number of authenticity as well as a display case. Also included was a framed black and white reprint of the car on pit road, a smiling and helmeted Bill Vukovich behind the wheel, his nine-member pit crew standing behind the car, all smiling. The photograph had been taken on race-morning, just hours before the crash that claimed Vukie’s life.

Cagney recalled looking at the photograph before wrapping it, the smiling faces, hopeful of making history at the world’s most storied race track. It’s true, he’d thought then. Life really does balance on a knife’s edge.

Still, on Christmas morning, Cagney held his breath, not sure how Cale would react. He was surprised when no verbal chastisement was forthcoming, nor had Cale asked how much money it had cost. What surprised Cagney most was the childlike look in his father’s eyes as he admired the craftsmanship, the minute detail of the replica, the half-smile he couldn’t keep from his mouth. Cale looked at the photograph and the half-smile disappeared as he nodded once, perhaps reliving the event in his mind’s eye. He said nothing as he set the photo down and looked at Cagney. As thanks went, it was the best Cagney could expect.

Once they were at hospice, Cagney unpacked his father’s suitcase—underwear in the small bedside dresser, shave kit in the bathroom—while Cale sat in one of the room’s two chairs, out of breath from the walk from the parking lot. Cagney stood in the bathroom a moment to admire the shave kit, a gift from his mother to his father during happier times, likely before Cagney came along.

Cagney came out of the bathroom and took the replica, in its case, from the bed and set it on a shelf recessed in the wall near the room’s lone door. He turned to see Cale looking at him, his breathing no longer labored.

“How much did that set you back?” he asked with a rare grin.

Keeping with his father’s levity, Cagney sat in the other chair and said, “I’ll tell you if you tell me about Okinawa.”

Cale’s smile immediately disappeared. “No deal,” was all he said.

“But why not? Even your pal Murphy said I should hear it from you. What could you have done that you’re so ashamed of?”

“Taking another man’s life shouldn’t be shameful?”

Cagney always suspected his father had killed during the war; to Cagney it was always a question of how many. But this was the first time Cale had acknowledged it.

“It was a war, Dad. Kill or be killed. You followed orders. I understand the Japanese were ordered to kill medics on-sight, to prevent them from rendering first aid to the wounded. That’s against the rules of engagement.”

“Rules!” Cale spat, and Cagney was surprised at the strength of his father’s vehemence. “War’s a dirty business, no matter how you try to sanitize it. Let me tell you, I saw a lot worse than unarmed medics being shot down while tending the wounded, and from our own.”

“I know, Dad.”

“Yeah, you know, from reading some text book.”

“Not a text book, Dad. Eugene Sledge was there on Okinawa, with you. He tells it like it was.”

“He tells it,” Cale aped. “Words on a printed page.”

“He doesn’t glorify it, the way Hollywood did with The Sands of Iwo Jima. I didn’t have to be there to be appalled by a marine removing the teeth of a dying Japanese soldier with his bayonet for the gold fillings. With the Old Breed should be required reading in our schools.”

“You don’t get it, do you?”

“What, Dad? What am I supposed to get? That all wars are politically motivated? That they could be avoided if the leaders of two disputing nations agreed to meet in the center of a boxing ring to duke it out? Tell me.”

“George Bush was quick to say that God was on our side in the fight against terrorism. And the Muslim world thinks God is on their side.”

“What, you think God takes sides?”

Cale waved aside Cagney’s question. “You think Hitler thought that what he was doing was evil?”

“Probably not.”

“You’ve seen some of the old newsreels. Hitler had the support of millions of Germans.”

“I know, and after he was killed a German couldn’t be found anywhere who admitted to supporting him.”

Cale sighed. “You spoke earlier of following orders. You don’t think the Japanese weren’t following orders, too?”

“The Japanese were expanding their empire. If we hadn’t stopped them we might all be speaking Japanese.”

“Yeah, they were. So did our forefathers, pushing west, taking land from the Native American Indians.”

“And I recall reading that John Wayne said we were right to do so, if the Indians couldn’t hold onto their land.”

“Our might made us right,” Cale said with a nod.

“The original quote, by August and Julius Hare, is ‘right is might.’”

Cale looked at Cagney and Cagney thought he caught a glimpse of acknowledgement, that maybe, in his father’s eyes, he’d attained some higher level of esteem. What he said was, “Another man’s freedom fighter is another man’s terrorist.”

“I heard that, in the aftermath of 9/11.”

Cale nodded. “Wars are started by leaders of nations, but they’re fought in the trenches. We were indoctrinated, fed propaganda, of the evil Japanese empire, like Bush’s evil axis.”

“No doubt the Japanese soldiers were told of the evil West.”

Cale nodded again and Cagney felt that, maybe for the first time, they were actually communicating.

“I saw what some of our marines did to our POWs, just as I saw evidence in some of the caves on Okinawa what the Japanese did to their POWs. As squad leader, I made sure our POWs received humane treatment—because it was the right thing to do.” Cale’s eyes brimmed with tears over some distant recollection. “I could see the fear in their eyes. I knew I’d be terrified if I’d been taken prisoner. So I reached out. We had a translator in our unit, and I had him talk to our prisoners, assure them that they’d be cared for. These prisoners were with us only for a short time, maybe half a day, before they were moved to the beachhead, but I had the other members in my unit share some of their K rations with them, and you know what? I could see in their eyes the realization that we weren’t nearly the evil people they’d been told we were. We were no different, really, than they were. We were merely following orders, fighting in a war we didn’t start any more than they did.”

Cagney fought back his own tears. It was the most his father had ever shared of this time in the service.

Cale: “You’ll find in my footlocker, in the basement, all you need to know about my service with the Corps. It’s padlocked, and the key is not so well hidden that you won’t be able to find it after I’m gone.”


Posted by J. Conrad Guest at 12:45 PM EST
Updated: Sunday, 22 November 2009 11:34 AM EST
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Melee at McSorley's
Topic: Short fiction

This chapter was cut from my novel, January’s Penitence, but with a few revisions, I think it works well as a short story.

 

 

Walking through the door of McSorley’s Old Ale House was like walking through a time warp into the past, its sawdust covered floor and myriad historical trappings on the walls a balm to this troubled future into which I’d been unwittingly thrust. This East Village institution was a favorite haunt of mine in 1947. Whenever working a particularly troubling case or seeking escape from some capricious dame threatening to slap a ball and chain on my ankle, I sought refuge within the friendly confines of McSorley’s, where life was so much simpler: cheese and crackers for lunch, two choices of beer—light or dark—and most importantly, it was off-limits to women.

I sat at the wooden bar nursing my first beer—the dark variety—initially contemplating my past and marveling that this watering hole had survived the last 60 years largely unchanged, although in truth it had been only a matter of weeks, in 1947, since last I’d patronized this fine but seedy drinking establishment.

“Buy a girl a beer?” said a soft, sultry voice from beside me.

The owner of the voice was a voluptuous platinum blond with multiple face piercings and a tattoo on her cheek of a purple clematis flower whose vine had climbed up from between her breasts—breasts free from the confines and support of a brassiere, pointed nipples showing through the thin fabric of her tight blouse.

“Hey,” said the young woman with mock indignity, “It’s not okay to stare.”

I hadn’t been leering, but I wasn’t used to the brazen way in which women in this century dressed. This gal may as well have walked in here with no top on at all. I sighed but bit back an angry retort even as I motioned to the bartender to bring another beer.

“Light,” called the young woman. Then, in reference to the fedora that sat askew atop my head: “Wicked hat.”

I let the compliment pass and, after a moment, said, “You know, there was a time when this bar was gents only—dames weren’t allowed.”

The woman laughed, said, “We’ve come a long way, baby.” When I withheld a reply, she asked, “Where you from?”

“1947.”

Not to be put off, the woman laughed again. Another time in another place under different circumstances I might have found the sound sexy. “That’s not a where,” she said, “but a when.”

“I’m from the Bronx,” I told her reflection in the mirror behind the bar.

The woman nodded, her eyes holding mine through the glass. “I didn’t think they had time travel back then.”

“They don’t.” I watched the woman’s image take a swallow from her glass; a few drops of condensation fell from the glass and found their way to between her breasts. I had hoped my snide first reply would result in the woman leaving me alone. “I got caught in a time warp the result of some clown from a future alternate reality in which Germany won World War II. In his time the empire Hitler vowed would last a thousand years is a century old.”

“Wow,” she breathed, and I couldn’t be sure whether the woman was only playing along with what I thought she thought was merely a game, or whether she believed me. “So it must be pretty bad, huh, in his present?”

“He came back to try to change it.” Matter of fact.

“Obviously he succeeded.” Equal indifference.

“Obviously.”

“And what do you think of your future?”

“Baseball isn’t the game it once was.” I took a swallow from my glass of beer before continuing: “Pornography, prostitution, pollution, government corruption, global warming, terrorism, and for all your purported connectivity through the Internet and cell phones, your society is more disconnected than ever. On top of that, the war between men and women is no closer to a cease fire than it was from when I come.”

“For someone out of the past, you seem to know an awful lot about my present.”

I thought her statement was intended to trip me up. “I’ve been here only a few days with little more to do but read the morning Times.” The woman seemed to accept my explanation.

“Still,” she mused, “it must be better than a future in which Nazis have been running the world for a hundred years.”

“Oppression under the guise of freedom is still oppression,” I said. When the woman said nothing, I added: “In my time we have burlesque, but here, prostitution has been all but legalized, and dames all walk around like you—advertising their body parts, and when I take notice you tell me it’s not okay to look.”

The woman laughed. “You sound like you’re out of an old Bogart movie.” When I said nothing, she added, “You also sound angry.”

“Just an observation.”

“William S. Burroughs observed that Woman is a different species from Man.”

“Never heard of him,” I said, “but he sounds like a wise man.”

“He was a popular writer in the 1960s and 70s.”

I nodded. “After my time.”

The woman ignored my simple statement, or perhaps it had gone over her head—with clearance to spare. “You can’t know what it’s like to be a woman, to be looked at as a piece of meat. To be objectified.”

“Another great author, this one before my time, once wrote: ‘A woman naked is a woman armed.’”

“What’s that supposed to mean?” Her query betrayed no offense.

“It means that you can’t know what it’s like to be a man when a woman parades around her body parts in front of him.”

“So we agree to disagree.”

“Well, yes, I suppose we could do that,” I said. “But that brings us no closer to a solution, does it? That just maintains the status quo—no, on second thought it escalates the hostilities, as it’s done for the last 60 years. Perhaps longer. What’s wrong with compromising, with trying to see it from another perspective? Why does it have to be a war that’s won by one side and lost by the other? Sometimes the only way to achieve victory is through negotiation, because only in negotiation can understanding be attained.

“Look,” I said when the young woman only blinked. “You brought up the term objectification. It’s partly the definition of pornography—to objectify with the intention of arousing sexual excitement.”

“You think I dress like this to arouse men?” She was baiting me. “A man can look at a beautiful woman with admiration, or he can leer at her.”

“I understand the difference,” I said, “but I wonder if there is any real difference.” The young woman looked confused, so I explained, as much for her benefit as my own. “A strange man from across the room can look at you and if there is no interest on your part, then you perceive his look as unwanted and, as such, lewd. However, another man can look at you the same way, but if your interest in him is mutual—if you are attracted to him in return—then his look is welcomed and perceived as admiration.

“I can’t know what’s in your heart or mind when you dressed yourself this morning. Perhaps men have always objectified women to an extent. It happens in the animal kingdom often enough: the bird with the most colorful plumage gets the girl—or boy as the case may be. Yet appreciation of a woman’s body as a piece of art or as a collection of body parts is objectification of sorts no matter how you cut it. You can take a depiction of a naked woman painted on a brick wall in some back alley where people look away in disgust, slap it on a piece of canvas, call it a nude and hang it in a museum where those same people will pay to look at it approvingly. To some people art is art based solely on where it has been approved to be viewed as an artistic achievement.”

The woman ignored my case in point, seemingly stuck on the preceding page: “But you’re supposed to be intelligent. Are you saying you can’t control your body?”

“Intelligence has little to do with biology, Miss. Personally, I prefer the more subtle advertising the gals in my era practice.” Noting her face piercings I added, “Here you’re all flashy baubles and billboards promoting a product at which you profess it’s not okay to look. I have the intelligence to control my body, but that doesn’t mean a certain body part of mine, which has a mind of its own, isn’t going to sit up and take notice when a piece of meat saunters by whether or not you tell me it’s not okay to look.

“You see that gent over there, by the window?” I said, indicating a young man wearing a t-shirt that served as a poster for Coca Cola. Overly thin with long, scraggly hair and an earring, he looked away when he saw me nod in his direction.

“What about him?”

“He’s been ogling you since you came in.”

“Creep,” the young woman said; I couldn’t be certain her disdain was feigned or authentic.

“And his buddy?” I said, referring to the first’s tablemate, who was muscular, mustachioed and had much shorter, wavy hair that glistened with one of myriad hair products that had been invented for men since the end of the 20th century. I watched the young woman’s eyes linger on the man’s muscular torso a moment. “He likes what he sees in you, too,” I added, baiting the hook.

“Rugged,” she said. “Reminds me of a young Tom Selleck. I like him.”

“Thanks,” I said, “for proving my point.”

“What did I miss?” she asked.

“Two men, each one appraising you for your body parts from afar—to them you are the proverbial slab of meat you just told me you abhor being deemed. One repulses you, while the other you welcome, even as you objectify him in return.”

“So?”

“A man can look at a woman with all the admiration of a pure heart and if his gaze isn’t welcome, then her perception can be skewed into whatever she wishes it to be—including revulsion.”

“Don’t I have the right to rebuff the man I have no interest in?”

“Of course you do,” I said. “But dressed as you are, objectified as you are, you have to expect that all manner of men—those to whom you may be attracted and those who will repel you—are going to notice you. To accept the advances of a few while reviling the others shows a lack of accountability.

“The way I see it, women in 2007 ‘objectify’ themselves more than they ever did in my time. Times Square is filled with flashy advertisements portraying women using their sex appeal to sell a host of products and services. The broads in Central Park wear less than does my gal Friday when she takes me to bed. A dame like you walks into a dive like this dressed as you are and asks me to buy her a beer and then chastises me for looking at what she’s done to objectify herself.”

“And that leaves you feeling oppressed?” The young woman seemed to relish what she perceived as having gained the upper hand in our discussion, although as of late she seemed, to me, reluctant to participate much.

“Hardly,” I replied, noting the woman’s disappointment with my response. “But it does confuse me.”

“It’s really very simple,” she said. “We objectify ourselves to compete amongst ourselves. We want to turn your heads away from the competition and towards us.”

“But you don’t really want the prize.”

“The prize is being able to just say no.”

“I see,” I said, although I wasn’t sure that I did. “So you do dress to be noticed.”

“Well,” she began.

“Don’t you see the contradiction?” Because my glass was nearly empty and I didn’t wish to continue the discussion by ordering another, I added before she could respond, “You boasted earlier that your gender has come a long way, but I don’t see that you have, and you’d see it, too, if you understood that you can’t have a better tomorrow without occasionally looking at the past, to from where you’ve come. You may have won the freedom to dress as you do, to cover yourself with tattoos and adorn your face with all manner of hardware, to play games with men, to say ‘no,’ to tell me it’s not okay to stare, to enjoy sex without commitment—none of which holds a hint of accountability—but the result is still oppression.”

“Accountability?” she asked. “That’s the second time you’ve used that word. What’s that got to do with anything?”

“Everything. It’s one of the rules of negotiation toward achieving that understanding I mentioned earlier.” The girl’s large blue eyes were empty of comprehension, like the rich man born into his wealth and so has no understanding of poverty; I explained: “We all must be accountable for our actions.”

The woman seemed to take in my argument, perhaps unsure how to counter; I watched the wheels behind her eyes turn, trying to grasp certain, until now, alien concepts. When she said nothing, I continued:

“Look, in 1947 it’s rare for a woman to sidle up to a man in a bar and ask him to buy her a drink. Certainly it sends a certain message to a gent. It seems commonplace today for a woman to approach a man—with the intention to deceive.”

“Is that what you think, that I was hitting on you?”

I waved her aside. “Even if I was available, you’re not my type,” I said, glancing at her breasts, “despite your very impressive credentials.”

“And just what is your type?” The woman seemed disappointed, but I didn’t believe for a moment its authenticity. I was certain that, to her, I was merely a game—someone with whom she could amuse herself at my expense. She seemed driven, possibly by previous success with others of my species, to manipulate me to her own ends—to just say “no.”  I looked at the tattoo and the various rings on her face—lip, nose, eyebrow—and said:

“Let’s just say I prefer my women a little less forward and much more accommodating.” I wondered if she understood what I meant by accommodating.

“You were free to turn me down,” she said, and I understood this assertion, too, had gone over her head. It also hadn’t yet occurred to her that I already had turned her down.

Nodding, I said, “I’ve had my share of women reject my overtures.”

“I find that hard to believe,” the woman said. “You’re not a bad-looking dude.”

I chuckled. “Is that a come on?”

“If by ‘come on’ you mean flirting, yes, I suppose I am, but if you expect me to invite you back to my place for a matinee for the price of a beer you’re sadly mistaken.”

I laughed a rich, hearty laugh.

“I say something funny?”

“Now that we’ve determined what you are, we’re left to dicker over price?”

“That’s not what I meant,” she said, her face warming with a large measure of indignation.

“Relax,” I said. “I didn’t mean to offend you. Communication between the sexes has always been somewhat strained. I can’t say I’ve fared much better with the women of the 1940s.” I noted from the look on the woman’s face that she was just then considering the validity of my claim to be a time traveler from out of her past—a man out of place out of time. I enjoyed her bewilderment.

“The way I see it,” I said, “oppression comes in many shapes and sizes. The women in this century allow themselves—even participate in self-objectification—to be used as sexual objects, denying it under the pretext of freedom even as they rebuke the male species for embracing that objectification, which only results in widening the communication gap between the genders. You resent being looked at as a slab of meat but do everything to ensure that you are. You lie to yourself and us, and then blame us for our misunderstanding. Maybe it’s just more obvious to me, having jumped 60 years in the blink of an eye, but the women of the 21st century seem unaware of how little progress they’ve made since 1947, or maybe they choose to ignore it.”

The young woman seemed to take in everything I’d just said; perhaps uncertain how to respond, she announced: “Listen. I really would like to continue this discussion, but I’ve got to piss like a racehorse. Will you be here when I get back?”

I glanced at my watch even as I was taken aback by her pronouncement; in my time women went to “the little girls” room. “Not likely,” I said.

“Oh you!” she said, not believing me, or perchance confident in the allure with which her body held me.

I watched the young woman’s back recede as she headed for the loo, fascinated by the gentle sway of her hips snug in her Levi’s. When the door swung closed behind her, I finished what was left of my beer, told the bartender that the drinks were on the young woman, and left.

 

I returned to McSorley’s often, as did, I suspected, the young woman. I wondered if she ever expected to meet up with me again, or whether she ever speculated over my claim to be a time traveler from out of her past even as I, safe in my own era in 1947, occasionally wondered about the young woman’s arrogance, and of what crop might have sprung from the seed I sowed that long ago day in the future—a future that, although it had changed much from my present, had pretty much stayed the same.


Posted by J. Conrad Guest at 11:45 AM EST
Updated: Sunday, 8 November 2009 12:51 PM EST
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Thursday, 22 October 2009
Cobb's Conscience
Topic: Novel excerpt

Another excerpt from my work in progress, Cobb’s Conscience:

 

Twenty-Six

 

Anytime a man can last more than 400 games and put his team into two Series, his path is chosen for him.”

 

Ty Cobb

 

 

“You ever tell the boy, Cale?”

“No.”

“Why not?”

“He’ll find out, when I’m gone.”

“I hate it when you two do that,” Cagney said, “talk about me like I’m not here.”

“He wouldn’t understand, Norm. Hell, I’m not sure I understand.” Again, as if Cagney weren’t in the room.

“What’s to understand? It’s part of who you are.”

“I assume this has to do with Okinawa.” Cagney.

“I nearly got you killed.”

“You nearly got us killed, Cale,” Norm said with a chuckle. “But we survived.”

“I fell asleep when I was supposed to be on watch.”

“We were in a foxhole, the mortar fire ceased. We hadn’t slept in two days.”

“Wouldn’t have mattered to that Jap who happened upon us.”

“And that’s just what he counted on, that we’d be asleep. Two easy targets. Even a marine can’t function well without sleep, Cale.”

“That’s a helluva justification. It’s a good thing you had a weak bladder. If you hadn’t come back when you did—”

“You’d have been sporting multiple bayonet wounds.”

“Well, what happened?” Cagney asked.

“I left our foxhole to take a leak. I was a few feet away and had just finished tucking the old monster away when I heard movement. We were told to call out passwords if we were moving to another location, so we wouldn’t get shot by our own, so I suspected enemy movement. It was dark, but I crept back to our foxhole, my own bayonet blade drawn. I saw a Jap preparing to thrust his bayonet into your father, who was off in La-La Land snoring softly to himself. I lunged across the foxhole and wrestled that damn zipper-head to the ground. All the while we were grappling with each other to gain some advantage, he kept shouting what I took to be Japanese obscenities. Eventually we rolled over the side of the foxhole and on top of your father. ‘Jeesus!’ I heard him say. ‘It’s okay, Cale,’ I said, ‘don’t shoot.’ With all the wrestling going on, he was as likely to put a bullet in me as he was the Jap. I finally managed to slip my bayonet blade into the Jap’s gut and he let out a bloodcurdling scream. I put my hand over his mouth … ‘shhh,’ I whispered, twisting the blade. ‘Shhh.’ He stopped moving and a moment later I heard your father’s voice: ‘Get him off me, Norm. Goddamn it, get him off me.’

“By the time I managed to roll the body off your father, he was drenched in Jap blood. Your father sat up, looked at the corpse, its eyes wide but unseeing, and pummeled its face with the handle of his sidearm until the features were a bloody pulp. When he finished, I said, ‘Good morning sleepyhead. I guess you’re awake now.’ We laughed then, long and hard, before we pushed that little fucker out of our foxhole.”

During the silence that ensued, Cagney searched his father’s face for the young marine Norm had just described. The once steel blue eyes were now clouded by chemo and whatever other drugs his doctor was pumping into him.

What a horrific story, Cagney thought. And although Norm had related the events of that night with frank detachment, inserting humor at all the appropriate moments (if they could be called that), as if he’d related the tale countless times at numerous reunions—or relived the event through myriad nightmares—this wasn’t a story. No embellishments were necessary. Cale had confessed to Cagney of nightmares of his time on Okinawa, but never had he shared their content with him. Surely this was one of them. Cagney could only wonder what other lurid experiences his father might have tightly bottled up inside.

“I owe you my life, Norm,” Cale said. “But that doesn’t change the fact I fell asleep when I should’ve been on watch.”

“Ah, Cale. I can’t believe you’re still holding onto that after all these years. You’re still a good marine. The bravest I ever served with, and I made a career of the Corps.”

Cagney suspected this was not the story to which Norm, his father’s lifelong buddy, had alluded earlier. Certainly he saw no evidence, in this account, of the “bravest” marine with whom Norm had served.

“What is it I’m supposed to find out after you’re gone?”

“I don’t want to talk about it.”

“He’s your son, Cale. He should hear it from you.”

Cale’s lips pursed twice, but he remained mute.

Cagney looked from his father to Norm, a silent plea for clarity; Norm merely shook his head. He would not betray a brother.

“You’re a good-looking kid, Cagney, tall, well-built. You’d have made a fine marine.”

“You can’t know that.”

“You’re Cale’s son, aren’t you?”

Cagney didn’t know what to say, or maybe he did: his father had never advised him on enlisting in the Corps, or any branch of the military. Did he think to keep him from harm’s way, or was he merely reluctant to share the brotherhood, as he was reluctant to share any aspect of his time spent in the Marines?

Cagney, to Norm: “You remember being here in ’73 for a Marine Corps reunion?”

“Son, I’ve been to a lot of reunions over the years.”

Cagney couldn’t keep the disappointment from his face. He recalled that weekend as if it were last month: the bottle of tequila Norm and his father had shared, trading shot for shot—his mother trying to keep pace until she got sick—the tiny worm from the bottom of the bottle they cut in two and ate. Shortly before adjourning the patio for the bathroom, to empty the contents of her stomach, Cagney’s mother had contracted a bad case of hiccups. When it became clear they weren’t going to stop, Norm stood behind her, asked her to hold her breath, and stuck a pinky finger from each hand into each of her ears. After what seemed an interminable length of time, two, maybe three minutes, Norm turned to Cale and asked if she were still holding her breath. Cale nodded. A few moments later, she let out her breath, cured.

Yet what Cagney found most memorable from that long ago night was Norm’s arrival at their house. After flying in from San Diego, a nephew who resided in nearby Novi had picked him up from the airport. After getting settled in at his nephew’s house, Norm showed up in his nephew’s car, a two-year-old Lincoln Mark III. Without a thought, Norm tossed Cagney the keys and told Cale to direct him to the restaurant at which they’d be dining. Cagney recalled the looks of chagrin on his mother and father’s faces, their lack of confidence that their 16-year-old son could manage an eight-mile roundtrip to and from the German restaurant without damaging the big Mark III. Cagney said none of this, only:

“You let me drive your nephew’s Lincoln to and from the restaurant.”

Norm nodded, yet Cagney wasn’t certain if he truly recalled that night; Norm elucidated: “As I recall, you’d just gotten your diver’s permit.”

Cagney nodded and, watching his father, said, “You made me feel like a man.” When the intended barb didn’t penetrate Cale’s hardened veneer, he added: “You trusted me, as if we’d shared a foxhole together.”

Cale remained stoic.

Norm: “I’d gladly have shared a foxhole with you, son.”

Cagney grieved to hear those words from a stranger, words he’d longed to hear from his father.

“You’re your father’s son, aren’t you?”

Cagney felt his eyes tear up. He was certain Norm would interpret his show of emotion as pride. Yet Cagney felt no such pride. What he felt was the emptiness of a non-entity. Twice, in a matter of minutes, Norm had referred to him as Cale’s son. He’d called him by name but once since arriving, a last visit with Cale before he died, to revisit the good old days in the Corps, to swap stories Cagney had never heard. Bonded in the eyes of a near stranger as a chip off the old block, Cagney had never felt a bond with his old man. Will I ever be Cagney Nowak, sui generis?

“His wife is divorcing him,” Cale spat.

Norm only shrugged. “Common among couples of his generation, Cale. My oldest boy divorced his wife a few years ago. It happens.”

“He cheated on her.”

Cagney cringed from the harshness of his father’s accusation.

“He’s not the first married man to have dipped his pecker into another woman. My son left his wife for another woman, I imagine not without first taking a test ride.”

“I’m ashamed of him.”

Cagney averted his eyes, unable to hide his own shame.

“Ah, Cale. We raised our own brand of hell, didn’t we, when we were in China?”

“We did our share of drinking,” Cale said, but something in the way he avoided eye contact with Norm told Cagney that here, at best, was a plea for lenience, at worst, a lie of omission. “And that was before I met Iris.” As an admission of guilt, it was perhaps the closest Cale could come.

“It’s a different world in which we live, Cale.”

“That it is,” Cale said. “Not the place I’d envisioned when we dropped the bombs on Hiroshima and Nagasaki.”

“It’s a better place than it would’ve been had we not ended the war,” Norm said.

“Freedom without accountability—that’s not what I risked my life for. That’s not the American way.”

“Would you have done it any differently had you known the effect on later generations?”

Cale said nothing.

“We did the right thing, Cale. Our duty. What kids do today with the world we gave them, well, that’s up to them. Our job is done.”

 


Posted by J. Conrad Guest at 8:56 AM EDT
Updated: Tuesday, 2 February 2010 9:04 AM EST
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Wednesday, 7 October 2009
Backstop Published!
Topic: News

In early 2008, I completed Backstop: A Baseball Love Story In Nine Innings. Backstop is my fourth novel and now second to be published. Last year, Second Wind Publishing, an independent press entering their second year, offered to add it to their growing list of titles.

You know Backstop. He plays the catcher’s position for any team in any city in America with a major league ball club. You cheer him when he delivers, and boo him when he doesn’t.

I chose to relate the story in first person, from the perspective of the protagonist known only as Backstop. In what could be his last game after 14 years in the major leagues—the seventh game of the World Series—Backstop chronicles his rookie season, takes the reader to Chicago, where he finds romance, and reveals the heartbreak he endured in the aftermath of an adulterous affair.

After making his dream to play in the major leagues come true, Backstop is driven to succeed, to prove himself to his father, who passed away the year before the Tigers drafted him. In his first season in the big leagues, he meets and falls in love with Darlene, a former lawyer turned business owner in Chicago. After a season-long courtship, they wed, and 12 years of happy marriage ensue. However, when the Tigers make the playoffs for the first time in Backstop’s career, he goes out on the town to celebrate with several team mates and falls prey to the seductive overtures of a predatory younger woman. Thereafter, his world comes crashing down when Darlene asks for time apart to consider their future together. Backstop plays the following season, leading the Tigers to the World Series, while trying to win back both Darlene’s trust as well as her heart.

Fellow Michigan writer and author of Landscape with Fragmented Figures Jeff Vande Zande writes of Backstop: “J. Conrad Guest offers an entertaining and instructive journey into both major league baseball and major league matters of the heart.”

Ask your favorite brick and mortar bookstore about Backstop: A Baseball Love Story In Nine Innings, from Second Wind Publishing.

 


Posted by J. Conrad Guest at 7:15 AM EDT
Updated: Sunday, 3 January 2010 8:22 AM EST
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